Showing posts with label Rosanna Yamagiwa Alfaro. Show all posts
Showing posts with label Rosanna Yamagiwa Alfaro. Show all posts

October 26, 2011

What Audiences Are Saying about Before I Leave You

Audiences young and old are loving BEFORE I LEAVE YOU!




Have you seen the show yet? Share your comments with us below!

  • Whose story did you resonate with the most? The least? Why?


  • What do you think happened to each of the characters after the curtain went down?


  • Did you attend a post show conversation? What comments surprised you or made you think differently about the play? Would you attend a post show conversation again? What were you thinking about on the way home from the theatre?


  • Join the conversation!
     
The Huntington Theatre Company's production of Before I Leave You plays now through November 13, 2011 only at the Calderwood Pavilion at the BCA. Get tickets and information or call our Box Office at 617 266-0800.
     

BEFORE I LEAVE YOU: By the Numbers

Before I Leave You officially opens tonight. In case you missed The Boston Globe's fantastic cover story on October 14, here it is.


The cover of The Boston Globe's 'g' section Friday, October 14
 The Huntington Theatre Company's production of Before I Leave You plays now through November 13, 2011 only at the Calderwood Pavilion at the BCA. Get tickets and information or call our Box Office at 617 266-0800.

September 19, 2011

An Interview with playwright Rosanna Yamagiwa Alfaro

contributed by Charles Haugland:

I recently interviewed playwright Rosanna Yamagiwa Alfaro to write a note for the program of her upcoming show, BEFORE I LEAVE YOU. Parts of the interview were excerpted, so we are offering the whole, uncut interview here on the blog. Enjoy!


Rosanna Yamagiwa Alfaro
Charles Haugland: What was your first play about?  Why did you write it?
Rosanna Yamagiwa Alfaro: My first play was Behind Enemy Lines about the Japanese American internment camps.  It was an angry political play that followed the Toda family from the horse stalls in the assembly center to the tarpaper barracks in the camps and the segregation center.
CH: Tell me two big turning points in your career?
RA: Before Behind Enemy Lines (which I wrote in my late 30’s) I had published many short stories and a handful of poems.  I was enchanted when stage characters became flesh and blood.  I was utterly fascinated by the interaction of director, actors, and audience. It was a case of love at first sight, and I never wrote another short story.
The other big turning point in my career was this year when at 72 I became a Huntington Playwriting Fellow, received a MCC Artist Fellowship, and was given a slot in the 2011-2012 Huntington Theatre Season.  My son Pablo said, “It sounds like the beginning of a brilliant career.”