There was plenty of sculpture to take in whilst I walked about London on Friday and Saturday, though I think our production of Persephone my have colored my perception. You decide as you look at the photos I took below. What stories do these guys have to tell?
Double click on the photos for enlargements. As usual - see the note in the footer should you care to make further use of them.
Marketing just sent along this Persephone offer:
$25 tickets to the final week of the Huntington's outrageous comedy "Persephone" (through May 6) the outrageous comedy The Boston Globe calls "Playful and profound"!
To purchase your discounted tickets, go to http://www.huntingtontheatre.org (or click the Buy Tickets link in the sidebar) and enter code 1160 on the ticket login screen, after you select your seat location.
This offer is available online only and tickets are subject to availability. Price does not include a $2 per ticket convenience fee. Questions? Contact the Huntington Box Office at 617 266-0800.
Persephone MUST close Sunday - May 6th.
April 29, 2007
April 27, 2007
Back Stage at the Criterion
I've completed my duties in London - having seen The 39 Steps a couple of times, taken a backstage tour and met some great people here at the Criterion Theatre in Piccadilly Circus. I may tell you a bit more about that later, but for now you'll have to settle for a backstage tour of your own. Click here.
You can get to know Richard Hannay here.
You can rent the Hitchcock movie (I got it from Netflix). If you're short for time, you can view this 3 minute version below.
PS> The 39 Steps will be the first production of our 2007-2008 season, beginning performances on September 14, 2007 at the BU Theatre.
And here's a fun advertisement for the London Production.
I'm now officially a full time tourist for the next 24 hours. Cheerio!
You can get to know Richard Hannay here.
You can rent the Hitchcock movie (I got it from Netflix). If you're short for time, you can view this 3 minute version below.
PS> The 39 Steps will be the first production of our 2007-2008 season, beginning performances on September 14, 2007 at the BU Theatre.
And here's a fun advertisement for the London Production.
I'm now officially a full time tourist for the next 24 hours. Cheerio!
April 26, 2007
Temple's Meet and Greet
Hello! It's Temple Gill, here, making my first posting to the blog while Todd is winging his way across the pond to London. Looking at his previous post, he's right that he casually mentioned to me last fall that he'd be interested in contributing to our new blog.
Contributing? Well, he has taken the ball and run with it, creating a vibrant behind the scenes look at the Huntington that has been incredibly interesting and informative both to the general public, and to our own staff! I hadn't meant to leave him hanging all by himself for so long, but he is doing a terrific job (and if you think so, too, please leave him a comment on the blog - he'd love it, and it would assuage my guilt that this is only my first post).
in Todd's absence, I wanted to share some video he took at our meet-and-greet for Present Laughter on Tuesday, the first rehearsal where the entire cast and staff get together to kick off our production.
In this brief video, you'll hear Artistic Director Nicholas Martin and Managing Director Michael Maso welcome the cast, and then set designer Alexander Dodge shows off his set model, Mariann Verheyen speaks briefly about her costume designs, and lighting designer Rui Rita teases the cast a bit. Click on the play button below to enjoy this insider's peek at our first rehearsal:
And don't forget that our Present Laughter $25 one-day sale is tomorrow!
Contributing? Well, he has taken the ball and run with it, creating a vibrant behind the scenes look at the Huntington that has been incredibly interesting and informative both to the general public, and to our own staff! I hadn't meant to leave him hanging all by himself for so long, but he is doing a terrific job (and if you think so, too, please leave him a comment on the blog - he'd love it, and it would assuage my guilt that this is only my first post).
in Todd's absence, I wanted to share some video he took at our meet-and-greet for Present Laughter on Tuesday, the first rehearsal where the entire cast and staff get together to kick off our production.
In this brief video, you'll hear Artistic Director Nicholas Martin and Managing Director Michael Maso welcome the cast, and then set designer Alexander Dodge shows off his set model, Mariann Verheyen speaks briefly about her costume designs, and lighting designer Rui Rita teases the cast a bit. Click on the play button below to enjoy this insider's peek at our first rehearsal:
And don't forget that our Present Laughter $25 one-day sale is tomorrow!
April 24, 2007
In Box
Present Laughter casting is announced on Playbill. In no particular order: Victor Garber, Brooks Ashmanskas, Nancy Carrol, Alice Duffy, Pam Gray, Sarah Hudnut, Lisa Banes, James Joseph O'Neil, Richard Snee, Mark Vietor, and Holley Faine. First rehearsal is today. You can look forward to a few backstage peeks at meet and greet.
Manhattan Theatre Club announced yesterday that they will be doing Mauritius on Broadway next season.
Recent blog comments:
2007 - 2008 Season Announcement generates some praise. What do you think?
Celebrity sightings at the Opera. What does toi toi toi mean anyway?
Our sleepy ringer post garnered some comments. Have a cell phone story to share?
We're looking forward to seeing what else you've got to say!
PS> Final two weeks for Persephone... don't miss it.
Manhattan Theatre Club announced yesterday that they will be doing Mauritius on Broadway next season.
Recent blog comments:
2007 - 2008 Season Announcement generates some praise. What do you think?
Celebrity sightings at the Opera. What does toi toi toi mean anyway?
Our sleepy ringer post garnered some comments. Have a cell phone story to share?
We're looking forward to seeing what else you've got to say!
PS> Final two weeks for Persephone... don't miss it.
April 22, 2007
Tell me about it
I happened to glance at our blog's sidebar today and noticed something kinda scary; this is post number One Hundred and One.
I don't think we can call the Huntington blog "new" any more.
One fateful September day I walked into Temple Gill's office and innocently volunteered to contribute some content. How hard could it be to do a little writing about what's going on around here? I figured once I started others would join in...
I cautiously typed out my first entry after a few test posts with Temple's help and we were off and running. We've had over 40 comments, and hardly a day goes by without someone calling or sending me an email with a tidbit of info to share with you. Thank you for all of your encouragement and your contributions.
It's been amazing to watch our daily readership grow from just a handful in the first weeks, climb from 15 to 40 a day during the run of The Cherry Orchard, to now over 500 visits a week this month.
Temple and her gang had come up with the catch phrase of "Join the conversation" and it really seems to fit well in this format, and indeed what makes it work.
So - I'm going to ask a favor of you.
Why? Over the next week or so I won't be in the office (or at home even) to contribute much in the way of new content. We've got the first rehearsal for Present Laughter on Tuesday and then I'm off to London on Wednesday evening to see the West End production of The 39 Steps, which we'll be bringing to you as our season opener next fall. I'm getting a backstage tour, seeing the show a few times, and meeting with director Maria Aitken and set/costume designer Peter McKintosh to discuss our production. We'll build a new set with new props and costumes for Boston and then send the whole thing on to Broadway. I'll return on Sunday, to then head off to our annual gala fundraiser Spotlight Spectacular on Monday.
The Favor? Easy - join the conversation.
Please Blog back at me... I'd love to see you post your musings in the form of comments on the many topics we have discussed in the last seven months. Take a look around the blog, the links in the sidebar will help you find your way, and hit the "join the conversation" link that appears in the footer of each post to tell us whatever comes to mind.
I'll do my best to respond, point you to the new comments, and keep the conversations rolling.
And maybe I'll send you a digital postcard or two from "across the pond". Cheerio!
I don't think we can call the Huntington blog "new" any more.
One fateful September day I walked into Temple Gill's office and innocently volunteered to contribute some content. How hard could it be to do a little writing about what's going on around here? I figured once I started others would join in...
I cautiously typed out my first entry after a few test posts with Temple's help and we were off and running. We've had over 40 comments, and hardly a day goes by without someone calling or sending me an email with a tidbit of info to share with you. Thank you for all of your encouragement and your contributions.
It's been amazing to watch our daily readership grow from just a handful in the first weeks, climb from 15 to 40 a day during the run of The Cherry Orchard, to now over 500 visits a week this month.
Temple and her gang had come up with the catch phrase of "Join the conversation" and it really seems to fit well in this format, and indeed what makes it work.
So - I'm going to ask a favor of you.
Why? Over the next week or so I won't be in the office (or at home even) to contribute much in the way of new content. We've got the first rehearsal for Present Laughter on Tuesday and then I'm off to London on Wednesday evening to see the West End production of The 39 Steps, which we'll be bringing to you as our season opener next fall. I'm getting a backstage tour, seeing the show a few times, and meeting with director Maria Aitken and set/costume designer Peter McKintosh to discuss our production. We'll build a new set with new props and costumes for Boston and then send the whole thing on to Broadway. I'll return on Sunday, to then head off to our annual gala fundraiser Spotlight Spectacular on Monday.
The Favor? Easy - join the conversation.
Please Blog back at me... I'd love to see you post your musings in the form of comments on the many topics we have discussed in the last seven months. Take a look around the blog, the links in the sidebar will help you find your way, and hit the "join the conversation" link that appears in the footer of each post to tell us whatever comes to mind.
I'll do my best to respond, point you to the new comments, and keep the conversations rolling.
And maybe I'll send you a digital postcard or two from "across the pond". Cheerio!
April 20, 2007
Going Once, Going twice, Sold for $25
NEWS RELEASE
April 20, 2007
HUNTINGTON CELEBRATES 25TH ANNIVERSARY SEASON FINALE WITH $25 “PRESENT LAUGHTER” TICKETS
(BOSTON) – The Huntington Theatre Company announced today that tickets purchased on April 27 for the first week of performances of “Present Laughter” – starring Victor Garber and directed by Nicholas Martin – will be $25, no matter the date or seat location chosen. Reduced price tickets will be available for performances of “Present Laughter” from May 18-22 (including a special Monday night performance May 21).
The one-day-only price is the final chance for the Huntington to celebrate its 25th anniversary season by offering a ticket price that reaches a wider spectrum of patrons who can see and enjoy the play. Previous efforts for August Wilson’s “Radio Golf” and “The Cherry Orchard” yielded two of the highest ticket-sale dates in the Huntington’s history.
The special $25 tickets go on sale from 9 a.m. to 12 midnight at the Huntington’s website, www.huntingtontheatre.org. Phone and in-person sales run from 12 noon to 6 p.m. Call 617-266-0800, or visit the Boston University Theatre Box Office (264 Huntington Ave.) or the Calderwood Pavilion Box Office (527 Tremont St.).
“Present Laughter” is one of Noel Coward’s funniest comedies, and widely considered the most autobiographical of his many plays. Set in the 1930s, it tells the story of aging matinee idol Garry Essendine (Garber), who prepares for a six-month theatrical tour of Africa. But first he must contend with the last-minute demands of his whirlwind life and the makeshift family composed of his ex-wife, his manager, his housekeeper, crazy fans, and an impressionable young woman he befriends.
Garber, beloved as super-spy Jack Bristow on the television hit “Alias,” is the Tony Award-nominated star of some of Broadway’s most popular shows including the original productions of Stephen Sondheim’s “Sweeney Todd,” “Deathtrap,” “Noises Off,” and “Arcadia,” and revivals of the musicals “Damn Yankees” and “Little Me.” Garber started his film career in 1973 playing Jesus in “Godspell.” He also starred memorably as the ill-fated engineer in “Titanic” and was featured in popular hits such as “Legally Blonde,” “The First Wives Club,” and “Sleepless in Seattle".
(Photo Above; Victor Garber. Photo by Joan Marcus)
April 20, 2007
HUNTINGTON CELEBRATES 25TH ANNIVERSARY SEASON FINALE WITH $25 “PRESENT LAUGHTER” TICKETS
(BOSTON) – The Huntington Theatre Company announced today that tickets purchased on April 27 for the first week of performances of “Present Laughter” – starring Victor Garber and directed by Nicholas Martin – will be $25, no matter the date or seat location chosen. Reduced price tickets will be available for performances of “Present Laughter” from May 18-22 (including a special Monday night performance May 21).
The one-day-only price is the final chance for the Huntington to celebrate its 25th anniversary season by offering a ticket price that reaches a wider spectrum of patrons who can see and enjoy the play. Previous efforts for August Wilson’s “Radio Golf” and “The Cherry Orchard” yielded two of the highest ticket-sale dates in the Huntington’s history.
The special $25 tickets go on sale from 9 a.m. to 12 midnight at the Huntington’s website, www.huntingtontheatre.org. Phone and in-person sales run from 12 noon to 6 p.m. Call 617-266-0800, or visit the Boston University Theatre Box Office (264 Huntington Ave.) or the Calderwood Pavilion Box Office (527 Tremont St.).
“Present Laughter” is one of Noel Coward’s funniest comedies, and widely considered the most autobiographical of his many plays. Set in the 1930s, it tells the story of aging matinee idol Garry Essendine (Garber), who prepares for a six-month theatrical tour of Africa. But first he must contend with the last-minute demands of his whirlwind life and the makeshift family composed of his ex-wife, his manager, his housekeeper, crazy fans, and an impressionable young woman he befriends.
Garber, beloved as super-spy Jack Bristow on the television hit “Alias,” is the Tony Award-nominated star of some of Broadway’s most popular shows including the original productions of Stephen Sondheim’s “Sweeney Todd,” “Deathtrap,” “Noises Off,” and “Arcadia,” and revivals of the musicals “Damn Yankees” and “Little Me.” Garber started his film career in 1973 playing Jesus in “Godspell.” He also starred memorably as the ill-fated engineer in “Titanic” and was featured in popular hits such as “Legally Blonde,” “The First Wives Club,” and “Sleepless in Seattle".
(Photo Above; Victor Garber. Photo by Joan Marcus)
April 18, 2007
Huntington's 2007-2008 Season Announced
The press releases are flying out the door this week. Here's a quick heads upon next year's season.
You can read more about the plays and learn about subscribing online here. We have great subscription values next year starting at $25 per play.
"The Huntington Theatre Company announced today its 2007-2008 Season, which includes two world premieres by local playwrights, the final work by award-winning writer Wendy Wasserstein, a play that landed on all the major top ten lists of 2006, and American premiere of a West End London smash on it's way to Broadway, and a beloved classical musical.
This is the final season to be programmed by Huntington Artistic Director Nicholas Martin, who in June 2008 becomes Artist Emeritus for two years. Martin will also direct the season-closing musical, "She Loves Me."
Alfred Hitchcock’s “The 39 Steps”
Adapted by Patrick Barlow
Based on an Original Concept by
Simon Corble and Nobby Dimon
Based on the book by John Buchan
Sept. 14 - Oct. 14, 2007
Boston University Theatre, the Huntington’s main stage
"Brendan"
by Ronan Noone
Directed by Justin Waldman
Oct. 12 - Nov. 11, 2007
Stanford Calderwood Pavilion at the Boston Center for the Arts
"Streamers"
by David Rabe
Directed by Scott Ellis
Nov. 9 - Dec. 9, 2007
B.U. Theatre
"Third"
by Wendy Wasserstein
Director to be announced
Jan 4 - Feb 3, 2008
B.U. Theatre
"Shining City"
by Conor McPherson
Director to be announced
March 7 - April 6, 2008
B.U. Theatre
"The Cry of the Reed"
by Sinan Unel
Director to be announced
March 28 - May 4, 2008
Calderwood Pavilion at the BCA
"She Loves Me"
Book by Joe Masteroff
Lyrics by Sheldon Harnick
Music by Jerry Bock
Based on a play by Mikos Laszlo
Directed by Nicholas Martin
May 16 - June 15, 2008
B.U. Theatre
Click here to see all of our 2007-2008 plays
You can read more about the plays and learn about subscribing online here. We have great subscription values next year starting at $25 per play.
"The Huntington Theatre Company announced today its 2007-2008 Season, which includes two world premieres by local playwrights, the final work by award-winning writer Wendy Wasserstein, a play that landed on all the major top ten lists of 2006, and American premiere of a West End London smash on it's way to Broadway, and a beloved classical musical.
This is the final season to be programmed by Huntington Artistic Director Nicholas Martin, who in June 2008 becomes Artist Emeritus for two years. Martin will also direct the season-closing musical, "She Loves Me."
Alfred Hitchcock’s “The 39 Steps”
Adapted by Patrick Barlow
Based on an Original Concept by
Simon Corble and Nobby Dimon
Based on the book by John Buchan
Sept. 14 - Oct. 14, 2007
Boston University Theatre, the Huntington’s main stage
"Brendan"
by Ronan Noone
Directed by Justin Waldman
Oct. 12 - Nov. 11, 2007
Stanford Calderwood Pavilion at the Boston Center for the Arts
"Streamers"
by David Rabe
Directed by Scott Ellis
Nov. 9 - Dec. 9, 2007
B.U. Theatre
"Third"
by Wendy Wasserstein
Director to be announced
Jan 4 - Feb 3, 2008
B.U. Theatre
"Shining City"
by Conor McPherson
Director to be announced
March 7 - April 6, 2008
B.U. Theatre
"The Cry of the Reed"
by Sinan Unel
Director to be announced
March 28 - May 4, 2008
Calderwood Pavilion at the BCA
"She Loves Me"
Book by Joe Masteroff
Lyrics by Sheldon Harnick
Music by Jerry Bock
Based on a play by Mikos Laszlo
Directed by Nicholas Martin
May 16 - June 15, 2008
B.U. Theatre
Click here to see all of our 2007-2008 plays
Toi Toi Toi
I've just got home from the final dress of La Boheme at the Boston University Theatre tonight. I haven't blogged about it before simply because there is so much else going on right now. We open tomorrow. That's right - and we opened Persephone just last week. Breaking Ground runs Thurs through Sunday. Rehearsals for Present Laughter start on Tuesday....
What's La Boheme got to do with the Huntington, you ask?
Lots.
It's all about our great professional relationship with Boston University; specifically with the College of Fine Arts. The School of Music, who has an amazing chamber orchestra, also has this great program called the Opera Institute. They get together twice a year with the School of Theatre to put up Opera on the BU Theatre Main stage. Every April the Huntington's production departments join the fun and provide the sets, costumes, props, crew and much more for the production.
Opportunities abound.
There's a professional director, usually Sharon Daniels, and the Scenery, Costumes and Lighting are designed by students in the Design program. We work with them to create their production just like we would for our own directors and designers; lots of design and production meetings, imposing the realities that working with a budget and professional shops involve, creative problem solving and theatrical ingenuity, tight schedules in the shops and theatre, along with our usual high standards of quality.
It's a unique interaction with the students that we see and work with every day, but in different and sometimes more meaningful ways. They're not working on our productions - we're working on theirs. There's a lot more to it than I can explain here, but hopefully you get the picture.
Good lessons for us all.
And good productions.
This post, in sum, is an invitation to you to come experience the result of our fine collaborations.
It is one of the great classic operas. It is designed by tomorrow's theatre professionals. It is played, sung, performed by talent that you're sure to be hearing from again. It is another example of the fine work of the Huntington's talented craftspersons and technicians.
And it is this weekend only.
Read more here, see and hear more here, and buy tickets here.
There will be free tickets at the door for the BU community (one per BU ID) but I'd advise you to order tickets in advance, it's only $15 or $20 bucks to guarantee yourself a seat, and they're going fast.
(The pix I took tonight didn't come out... someone send me a good one and I'll post it)
What's La Boheme got to do with the Huntington, you ask?
Lots.
It's all about our great professional relationship with Boston University; specifically with the College of Fine Arts. The School of Music, who has an amazing chamber orchestra, also has this great program called the Opera Institute. They get together twice a year with the School of Theatre to put up Opera on the BU Theatre Main stage. Every April the Huntington's production departments join the fun and provide the sets, costumes, props, crew and much more for the production.
Opportunities abound.
There's a professional director, usually Sharon Daniels, and the Scenery, Costumes and Lighting are designed by students in the Design program. We work with them to create their production just like we would for our own directors and designers; lots of design and production meetings, imposing the realities that working with a budget and professional shops involve, creative problem solving and theatrical ingenuity, tight schedules in the shops and theatre, along with our usual high standards of quality.
It's a unique interaction with the students that we see and work with every day, but in different and sometimes more meaningful ways. They're not working on our productions - we're working on theirs. There's a lot more to it than I can explain here, but hopefully you get the picture.
Good lessons for us all.
And good productions.
This post, in sum, is an invitation to you to come experience the result of our fine collaborations.
It is one of the great classic operas. It is designed by tomorrow's theatre professionals. It is played, sung, performed by talent that you're sure to be hearing from again. It is another example of the fine work of the Huntington's talented craftspersons and technicians.
And it is this weekend only.
Read more here, see and hear more here, and buy tickets here.
There will be free tickets at the door for the BU community (one per BU ID) but I'd advise you to order tickets in advance, it's only $15 or $20 bucks to guarantee yourself a seat, and they're going fast.
(The pix I took tonight didn't come out... someone send me a good one and I'll post it)
April 16, 2007
Rabbit Hole wins Pulitzer Prize
Our congrats to Boston native David Lindsay-Abaire
Playbill again had the breaking news. Variety has a few more details. David reacts at Broadway.com
Playbill again had the breaking news. Variety has a few more details. David reacts at Broadway.com
April 14, 2007
Breaking News
Noah Haidle's Persephone is garnering impressive reviews from Variety, Boston Metro and many others. Good seats are still available for this weekend and beyond. Congrats to Noah, Nicky, Melinda, Seth, Mimi, Jerry and to everyone who made this production possible. Tickets available at 617 266-0800, www.huntingtontheatre.org or www.bostontheatrescene.com
Casting for next week's Breaking Ground has been announced. Check out the news items at Playbill and TheaterMania and see the video below. Tickets are free, but reservations are required; call 617 266-0800 or email to tickets@huntingtontheatre.org. We will gratefully take donations at the door.
Here is Breaking Ground mastermind Ilana Brownstein to give us a preview of next week's festival. Ilana is the Huntington's Literary Manager and also runs our Playwriting Fellows program. Just click on that play button.
Thank you Ilana. We also have a FAQ on new play development here for your reading pleasure.
I've also heard rumors that Present Laughter star Victor Garber will also perform at the Huntington's Annual Gala Benefit "Spotlight Spectacular" We are close to sold out, but there are a couple of tables and a few tickets left. The fundraising event, hosted by Tony Award winning Jason Alexander is on Monday April 30th at the new Westin Waterfront Hotel.
I'd suggest contacting Michelle Williams at 617 273-1536 or Mwilliams@huntingtontheatre.bu.edu
to join the fun.
Bidding for our auction items has already begun. Grab your credit card and click here.
Last item: (just because there isn't enough going on)
On Saturday, May 5, between 12pm and 3pm, the Huntington will host an Open House at the Boston University Theatre. This special event is the perfect opportunity for you to explore our entire backstage area — take a tour through our scene shops, costume shops, and dressing rooms, see technical demonstrations on stage, and learn about our 2007-2008 Season from our artistic department, plus much more!
Casting for next week's Breaking Ground has been announced. Check out the news items at Playbill and TheaterMania and see the video below. Tickets are free, but reservations are required; call 617 266-0800 or email to tickets@huntingtontheatre.org. We will gratefully take donations at the door.
Here is Breaking Ground mastermind Ilana Brownstein to give us a preview of next week's festival. Ilana is the Huntington's Literary Manager and also runs our Playwriting Fellows program. Just click on that play button.
Thank you Ilana. We also have a FAQ on new play development here for your reading pleasure.
I've also heard rumors that Present Laughter star Victor Garber will also perform at the Huntington's Annual Gala Benefit "Spotlight Spectacular" We are close to sold out, but there are a couple of tables and a few tickets left. The fundraising event, hosted by Tony Award winning Jason Alexander is on Monday April 30th at the new Westin Waterfront Hotel.
I'd suggest contacting Michelle Williams at 617 273-1536 or Mwilliams@huntingtontheatre.bu.edu
to join the fun.
Bidding for our auction items has already begun. Grab your credit card and click here.
Last item: (just because there isn't enough going on)
On Saturday, May 5, between 12pm and 3pm, the Huntington will host an Open House at the Boston University Theatre. This special event is the perfect opportunity for you to explore our entire backstage area — take a tour through our scene shops, costume shops, and dressing rooms, see technical demonstrations on stage, and learn about our 2007-2008 Season from our artistic department, plus much more!
April 12, 2007
Behind the Scenes
Why is it that when I tell people I work in theatre they assume I'm an actor? My striking good looks and refined elocution? Nope. "Oh, then do you design?" comes next. I have, and I still carry that gene, but not much any more. That's a nope too. "Direct?" Not a chance!
"Well then, what?"
What else is there I suppose some may think. My family tell people I run the place. Thanks for that, and they know better, but I can only take a small portion of the credit. We all know that there's an army of people behind the scenes, but sometimes we don't think about how many.
Next time you're in the theatre open up your program and take a look at those back pages where the support staff is listed; artistic to finance, box office, marketing to education, development to administration, production, scenery, props, paints, costumes, lighting, sound, and on, and on, and on, and on. Heck; even take a gander at the roster of board members, donors and businesses who helped out. That's where you'll find the people like me.
Today's post is dedicated to a small group of these folks; the Stage Managers and Run Crew. They are the ones who are quite literally "behind" the scenes and have dedicated themselves to working nights and weekends for the sake of your cultural enrichment.
Sometimes shows aren't too difficult, like Radio Golf, so there's time in a 4-5 hour show call to get in a little reading or web surfing. In other productions, like Well and now Persephone the crew barely has time to catch their breath, with scene changes, sets that fall apart, quick change upon quick change, running those fun effects, and cue after cue after cue. Persephone gets very messy at the end; all the glitter and water and snow and pigeons have to disappear. It takes about an hour with vacuums, brooms and air hoses to get all that nasty stuff cleaned up. Then they can leave.
I started my career backstage moving scenery, calling shows and running lights, and I remember occasionally getting whipped by a show. A certain summer stock production of Gypsy in the lovely village of Weston, VT comes to mind. But that didn't last. The next night the shifts were better, and the following night we won.
So here's to our crew who win every night; take a bow.
Well; Steve Kaus, Eileen Kelly, Pat Austin, Andrew Deshazo, Jenni Russell, Ken Porter, Kate Korolenko, Ian Schaff, Tim Clark, Christine Marr, Jeffrey Burrows, Rachel Padula Shufelt and Susie Moncousky.
Persephone; David Lurie, Hannah Cohen, Jill Oliver, Brian Masters, Cole Genuardi, Kat Fleischacker, Arshan Galius, Kyle Holmes, Catlin Medb Harrison, Troy Seigfried and Kirstin Kennedy.
"Well then, what?"
What else is there I suppose some may think. My family tell people I run the place. Thanks for that, and they know better, but I can only take a small portion of the credit. We all know that there's an army of people behind the scenes, but sometimes we don't think about how many.
Next time you're in the theatre open up your program and take a look at those back pages where the support staff is listed; artistic to finance, box office, marketing to education, development to administration, production, scenery, props, paints, costumes, lighting, sound, and on, and on, and on, and on. Heck; even take a gander at the roster of board members, donors and businesses who helped out. That's where you'll find the people like me.
Today's post is dedicated to a small group of these folks; the Stage Managers and Run Crew. They are the ones who are quite literally "behind" the scenes and have dedicated themselves to working nights and weekends for the sake of your cultural enrichment.
Sometimes shows aren't too difficult, like Radio Golf, so there's time in a 4-5 hour show call to get in a little reading or web surfing. In other productions, like Well and now Persephone the crew barely has time to catch their breath, with scene changes, sets that fall apart, quick change upon quick change, running those fun effects, and cue after cue after cue. Persephone gets very messy at the end; all the glitter and water and snow and pigeons have to disappear. It takes about an hour with vacuums, brooms and air hoses to get all that nasty stuff cleaned up. Then they can leave.
I started my career backstage moving scenery, calling shows and running lights, and I remember occasionally getting whipped by a show. A certain summer stock production of Gypsy in the lovely village of Weston, VT comes to mind. But that didn't last. The next night the shifts were better, and the following night we won.
So here's to our crew who win every night; take a bow.
Well; Steve Kaus, Eileen Kelly, Pat Austin, Andrew Deshazo, Jenni Russell, Ken Porter, Kate Korolenko, Ian Schaff, Tim Clark, Christine Marr, Jeffrey Burrows, Rachel Padula Shufelt and Susie Moncousky.
Persephone; David Lurie, Hannah Cohen, Jill Oliver, Brian Masters, Cole Genuardi, Kat Fleischacker, Arshan Galius, Kyle Holmes, Catlin Medb Harrison, Troy Seigfried and Kirstin Kennedy.
April 11, 2007
Pulitzer Picks? Norton Nods?
Playbill news this morning names our first three plays of the season as Pulitzer contenders; August Wilson's Radio Golf, Teresa Rebeck's Mauritius, and David Lindsay Abaire's Rabbit Hole.
Read the Playbill.com article here.
In local news - The Elliot Norton Award nominations are also out. Nods were given in a variety of categories to Love's Labour's Lost, Radio Golf, and Mauritius. Exhibitionist has the details.
Read the Playbill.com article here.
In local news - The Elliot Norton Award nominations are also out. Nods were given in a variety of categories to Love's Labour's Lost, Radio Golf, and Mauritius. Exhibitionist has the details.
I remember...
Kiki and Herb paid Boston a visit this past Tuesday. John Waters was at BU, and the Red Sox opened at Fenway. Not that any of that matters. I'm just sayin'...
Kiki had a lot to say, not much of it made sense, but it sure was fun.
I'm a tease, aren't I? Kiki and Herb will be playing at the Calderwood Pavilion in June. Click to read related post(s) for more info or buy tickets here.
Kiki had a lot to say, not much of it made sense, but it sure was fun.
I'm a tease, aren't I? Kiki and Herb will be playing at the Calderwood Pavilion in June. Click to read related post(s) for more info or buy tickets here.
April 10, 2007
Pneumatics, Hydraulics, Solenoids, Electricity and Pigeon P**p
The special effects in Persephone make use of lots of pneumatic power, never mind all of the energy (hot air?) being expended by the hardworking cast of four. Here they are in Act I; Alfie, Demeter, 'Seppe, and Celia.
If you've seen the show you've seen a few of these effects including flowers that burst out of the hedges, dead pigeons that fall from the sky, and a fountain that magically comes to life spouting water. I've given you glimpses in previous posts. Here's a more in-depth look.
The flowers are driven by a piston, a solenoid, air, and a lot of tubing. When we want the flowers to bloom we send an electrical signal to the solenoid, which reverses the airflow in the piston and propels the flowers onstage. To make them go away we remove the electrical signal, the airflow reverses and they retract. Almost... a few of them take a little extra manual push.
The pigeons work pretty much the same way, except they are individual drops. The flowers all come out at once; the winged rats get shot one at a time so each mechanism has it's own solenoid. With the airflow going one way the bird is clamped securely in the fly loft, when the air is reversed via an electrical signal to the solenoid down comes the p**p bombing beast. Thanks to companies like Grainger this technology is easily accessible.
We originally went way high tech by installing a wireless trigger on the the fake gun with the idea that the trigger pull (by the actor) would actuate both the sound cue (gun shot) and the feathery fall. For practical, timing and safety purposes the trigger now only runs the sound cue, and the bloodily painted stuffed toy plummets on a manual call. We bought the birds online. You can find almost anything online.
The aforemention p**p that splatters repeatedly on Demeter is delivered via a jury-rigged handsoap dispenser like the kind that you find in public bathrooms. Instead of waving your hand underneath it, we deliver an electical signal, the grey colored soapy solution is delivered and gravity does the rest.
The fountain works off of hydraulic power, go figure - good old city water pressure. The water flow is triggered by sending an electrical signal to a solenoid which essentially opens a valve. This photo of the fountain is during construction. I love that there are plastic grapes underneath the finished product!
All of the aforementioned electrical signals are sent by the lighting board. The crew are too busy doing quick changes, handing off props, operating followspots and running some other of the Act II special effects to handle the above FX as well. It's simpler to have them triggered by a lighting cue.
More on the crew and the other special effects in the next few posts.
Production Photo above (Top); L to R Jeremiah Kissel, Melinda Lopez, Seth Fisher, Mimi Lieber. Photo by T. Charles Erickson
If you've seen the show you've seen a few of these effects including flowers that burst out of the hedges, dead pigeons that fall from the sky, and a fountain that magically comes to life spouting water. I've given you glimpses in previous posts. Here's a more in-depth look.
The flowers are driven by a piston, a solenoid, air, and a lot of tubing. When we want the flowers to bloom we send an electrical signal to the solenoid, which reverses the airflow in the piston and propels the flowers onstage. To make them go away we remove the electrical signal, the airflow reverses and they retract. Almost... a few of them take a little extra manual push.
The pigeons work pretty much the same way, except they are individual drops. The flowers all come out at once; the winged rats get shot one at a time so each mechanism has it's own solenoid. With the airflow going one way the bird is clamped securely in the fly loft, when the air is reversed via an electrical signal to the solenoid down comes the p**p bombing beast. Thanks to companies like Grainger this technology is easily accessible.
We originally went way high tech by installing a wireless trigger on the the fake gun with the idea that the trigger pull (by the actor) would actuate both the sound cue (gun shot) and the feathery fall. For practical, timing and safety purposes the trigger now only runs the sound cue, and the bloodily painted stuffed toy plummets on a manual call. We bought the birds online. You can find almost anything online.
The aforemention p**p that splatters repeatedly on Demeter is delivered via a jury-rigged handsoap dispenser like the kind that you find in public bathrooms. Instead of waving your hand underneath it, we deliver an electical signal, the grey colored soapy solution is delivered and gravity does the rest.
The fountain works off of hydraulic power, go figure - good old city water pressure. The water flow is triggered by sending an electrical signal to a solenoid which essentially opens a valve. This photo of the fountain is during construction. I love that there are plastic grapes underneath the finished product!
All of the aforementioned electrical signals are sent by the lighting board. The crew are too busy doing quick changes, handing off props, operating followspots and running some other of the Act II special effects to handle the above FX as well. It's simpler to have them triggered by a lighting cue.
More on the crew and the other special effects in the next few posts.
Production Photo above (Top); L to R Jeremiah Kissel, Melinda Lopez, Seth Fisher, Mimi Lieber. Photo by T. Charles Erickson
FareWELL
Our final weekend of WELL played to near capacity houses and great emotion (and a guy who REALLY liked potato chips).
Thanks to Lisa Kron, cast and crew, for a great run. We will miss you all.
However: This set is NOT going to go back together again. Here's what's left of the set stacked into construction dumpsters yesterday.
We save some stuff, like drops and hardware. Personal knick-knacks were returned, and props and costumes are being filed away for future use.
Forward march.
Thanks to Lisa Kron, cast and crew, for a great run. We will miss you all.
However: This set is NOT going to go back together again. Here's what's left of the set stacked into construction dumpsters yesterday.
We save some stuff, like drops and hardware. Personal knick-knacks were returned, and props and costumes are being filed away for future use.
Forward march.
Inbox #2
Here is Huntington Controller Mary Ellen Reardon's take on the Young Artists Showcase featuring presentations from the following Huntington programs: The Acting Class, The Acting Class Too, Scene Study, Know the Law and Young Voices Playwriting
"I attended the showcase on Saturday and I wanted to congratulate you and your staff on a job well done. The schedule of the day was great - the right balance of events before and after lunch.
I have to admit I'm a bit partial to the education and outreach mission because of the impact it makes in the lives of the kids participating in the programs. I strongly believe that the opportunity for young people to be creative and perform in front of an audience is an experience that transforms their lives. I loved seeing the confidence in their faces, whether they were performing or being the stage manager, as well as the shy smiles of those who looked like this was the first time they'd actually said anything out loud in front of somebody.
I missed the first acting group, but caught the Acting Class Too in their "cliff note" version of Much Ado about Nothing. Very clever presentation orchestrated by Amanda Hennessy - I loved that everyone wore their character's name around their neck ! The high schoolers in the Scene Study class were just as Bobbie Steinbach announced - some scenes were ready for the stage while others were still works in progress. The two scenes from Rabbit Hole were my favorites.
The scene from Know the Law was unlike anything I'd ever seen before....not really knowing anything about the program, I didn't know what to make of it. After the scene was played the audience was able to ask questions, and after listening to the kids responses I better understood what the scenes are about, and how gutsy the kids are in performing the scenes. They clearly are passionate about performing in the production and believe it makes an impact on the kids who see it and some of the decisions they'll make in life. Kudos to Amanda Rota and Naheem Garcia for nurturing the class. I understand there are some student matinees at the Wimberly next week and I'd love to sneak in to the back of the theater for one of them and hear what the kids in the audience have to say !
I was impressed with how much attention is given to those in the Young Voices Playwriting Workshop - what a remarkable opportunity for high schoolers to receive personal attention from both the Huntington's Literary Manager and local professional playwrights ! We only heard a few minutes from each of the plays, but it was fascinating to hear what was on the minds of the young playwrights. Lynn Johnson did a lovely job jumping in at the last minute filling in for one of the acting student readers.
I wish there were more opportunities for people to see how inspiring these programs are!"
Thanks Mary Ellen! Visit our website for more information on the above after school programs.
"I attended the showcase on Saturday and I wanted to congratulate you and your staff on a job well done. The schedule of the day was great - the right balance of events before and after lunch.
I have to admit I'm a bit partial to the education and outreach mission because of the impact it makes in the lives of the kids participating in the programs. I strongly believe that the opportunity for young people to be creative and perform in front of an audience is an experience that transforms their lives. I loved seeing the confidence in their faces, whether they were performing or being the stage manager, as well as the shy smiles of those who looked like this was the first time they'd actually said anything out loud in front of somebody.
I missed the first acting group, but caught the Acting Class Too in their "cliff note" version of Much Ado about Nothing. Very clever presentation orchestrated by Amanda Hennessy - I loved that everyone wore their character's name around their neck ! The high schoolers in the Scene Study class were just as Bobbie Steinbach announced - some scenes were ready for the stage while others were still works in progress. The two scenes from Rabbit Hole were my favorites.
The scene from Know the Law was unlike anything I'd ever seen before....not really knowing anything about the program, I didn't know what to make of it. After the scene was played the audience was able to ask questions, and after listening to the kids responses I better understood what the scenes are about, and how gutsy the kids are in performing the scenes. They clearly are passionate about performing in the production and believe it makes an impact on the kids who see it and some of the decisions they'll make in life. Kudos to Amanda Rota and Naheem Garcia for nurturing the class. I understand there are some student matinees at the Wimberly next week and I'd love to sneak in to the back of the theater for one of them and hear what the kids in the audience have to say !
I was impressed with how much attention is given to those in the Young Voices Playwriting Workshop - what a remarkable opportunity for high schoolers to receive personal attention from both the Huntington's Literary Manager and local professional playwrights ! We only heard a few minutes from each of the plays, but it was fascinating to hear what was on the minds of the young playwrights. Lynn Johnson did a lovely job jumping in at the last minute filling in for one of the acting student readers.
I wish there were more opportunities for people to see how inspiring these programs are!"
Thanks Mary Ellen! Visit our website for more information on the above after school programs.
Inbox
Director of Education Donna Glick sends us a monthly report on her department's activities. This month she let some others do the talking:
Noel McCoy wrote the following about POETRY OUT LOUD.
"American Idol" can't be as much fun as this: 23 talented high school kids in an intense competition use poetic language to express themselves and the poet. It is a great idea created by the NEA and the Poetry Foundation.
Their performances always had intelligence and individuality. Each contestant recited two poems and the ten finalists had to do a third. Their selections (from a book of poetry supplied by the Poetry Foundation) were diverse; funny, sad and everything in between.
The audience, mostly comprised of anxious parents and teachers, were very focused and extremely supportive of all the contestants. I went home thinking about the poems that had been important to me and where had I left them.
A brief note about that amazing machine called the Education Department: Donna Glick and her associates, Lynne Johnson, Amanda Rota, Naheem Garcia, Michelle Holmes, Kirsten Kennedy, Janet O'Hare and Elisha Sawyer. The planning and execution of the event was impeccable as always. I am so used to it that I hardly even notice it anymore. They were great. It made me very proud to be with the Huntington."
Photo: Poetry Out Loud winner Gabrielle Guarrancino of Rockland High School. A little more info is available here.
Noel McCoy wrote the following about POETRY OUT LOUD.
"American Idol" can't be as much fun as this: 23 talented high school kids in an intense competition use poetic language to express themselves and the poet. It is a great idea created by the NEA and the Poetry Foundation.
Their performances always had intelligence and individuality. Each contestant recited two poems and the ten finalists had to do a third. Their selections (from a book of poetry supplied by the Poetry Foundation) were diverse; funny, sad and everything in between.
The audience, mostly comprised of anxious parents and teachers, were very focused and extremely supportive of all the contestants. I went home thinking about the poems that had been important to me and where had I left them.
A brief note about that amazing machine called the Education Department: Donna Glick and her associates, Lynne Johnson, Amanda Rota, Naheem Garcia, Michelle Holmes, Kirsten Kennedy, Janet O'Hare and Elisha Sawyer. The planning and execution of the event was impeccable as always. I am so used to it that I hardly even notice it anymore. They were great. It made me very proud to be with the Huntington."
Photo: Poetry Out Loud winner Gabrielle Guarrancino of Rockland High School. A little more info is available here.
April 3, 2007
Breaking Ground
all the details
Michael Aronov, Maria Dizzia,
and Denis O'Hare in the 2006 Breaking
Ground Festival reading of Mauritius.
Have you attended the Breaking Ground Festival before? What is it you find exciting about new plays?
and Denis O'Hare in the 2006 Breaking
Ground Festival reading of Mauritius.
Have you attended the Breaking Ground Festival before? What is it you find exciting about new plays?
The Making of Persephone
Noah Haidle talks about writing Persephone
What questions do you have about new play development?
What questions do you have about new play development?
April 2, 2007
Odds n Ends
The Boston Foundation called us last week to tell us that they were giving us a nice chunk of change "out of the blue"...
Evidently "each quarter, the Boston Foundation makes an Out of the Blue grant of $75,000—unsolicited and unrestricted—to an area nonprofit. These grants are designed to recognize exceptional leadership in regional nonprofits." They cited the Huntington's professional relationship with Boston University, our excellent productions, the creation and management of the Stanford Calderwood Pavilion at the BCA which provides subsidized performance space, ticketing and marketing services to many local performing arts companies, and our collaboration with Dorchester's Codman Academy as proof that the Huntington is knocking it out of the park.
We're extremely grateful to the Boston Foundation for their generosity and recognition. Everyone around here (including me) has plenty of ideas about how we'd like to spend it. If only.
An unrelated note:
I'm feeling a little old for Facebook and MySpace so I'll just stick to blogging, but if you would like to become a Facebook friend of the Huntington then check out (slightly younger) staff member Adam Robert's profile.
Adam is getting the word out about lots of fun events for the college crowd, such as post show parties and the occasional free ticket. We're also hoping to have a page up on MySpace sometime soon.
What online features would you like to see more of?
Evidently "each quarter, the Boston Foundation makes an Out of the Blue grant of $75,000—unsolicited and unrestricted—to an area nonprofit. These grants are designed to recognize exceptional leadership in regional nonprofits." They cited the Huntington's professional relationship with Boston University, our excellent productions, the creation and management of the Stanford Calderwood Pavilion at the BCA which provides subsidized performance space, ticketing and marketing services to many local performing arts companies, and our collaboration with Dorchester's Codman Academy as proof that the Huntington is knocking it out of the park.
We're extremely grateful to the Boston Foundation for their generosity and recognition. Everyone around here (including me) has plenty of ideas about how we'd like to spend it. If only.
An unrelated note:
I'm feeling a little old for Facebook and MySpace so I'll just stick to blogging, but if you would like to become a Facebook friend of the Huntington then check out (slightly younger) staff member Adam Robert's profile.
Adam is getting the word out about lots of fun events for the college crowd, such as post show parties and the occasional free ticket. We're also hoping to have a page up on MySpace sometime soon.
What online features would you like to see more of?
Well Stars reach out
Two stars of the Huntington Theatre Company's production of "Well" Mary Pat Gleason (l.) and Lisa Kron ( r.) visited with students at the Lilla G. Frederick Pilot Middle School as part of the Huntington's "First Act" program. Gleason and Kron talked about their acting careers and the play "Well" (which the students went to see the next day). They also watched and critiqued as Frederick students recreated scenes from "Well."
"First Act" brings teaching artists into schools across the region, to prepare students for their visits to the Huntington's student matinee program. The Frederick School, formerly New Boston Pilot Middle School, serves approximately 660 students in grades 6 through 8, approximately one-quarter of whom are students with disabilities.
Community outreach is an important part of the work we do. What kinds of outreach would you like to see us do more of?
"First Act" brings teaching artists into schools across the region, to prepare students for their visits to the Huntington's student matinee program. The Frederick School, formerly New Boston Pilot Middle School, serves approximately 660 students in grades 6 through 8, approximately one-quarter of whom are students with disabilities.
Community outreach is an important part of the work we do. What kinds of outreach would you like to see us do more of?
Competing with Well
Our intrepid stage managers reported the following from Saturday Evening's Performance...
An EXCEPTIONAL show tonight and a wild/crazy night of theatre. The show tonight was a great one and the house was an extremely responsive and energetic crowd. Ms. Gleason and Ms. Kron had a great time tonight onstage and their performances really played nicely off of each other.
There was a patron sleeping in the back of the balcony tonight whose cell phone rang several times (and did not wake him up) leading into the “Princess of Five”.
Ms. Kron (after the fourth round of rings) said to the audience…and I quote, “They [the ensemble] are gonna be right back. While I’m waiting would be a good time to answer your cell phone. Please answer your cell phone. If you don’t answer your cell phone someone will come into the theatre and have you… killed.”
The audience clapped; it seems they would have liked the patron with the cell phone killed as well. House management was called and the patron was woken up, spoken to, and his cell phone was turned off. Capital punishment averted. Not to be outdone, the patron then began snoring rather loudly about ten minutes later.
Curtain call was taken to thunderous applause and the entire upper section was on their feet as well as many in the orchestra. In general, it was a fantastic show tonight despite the strange occurrences in the house.
This is not the first cell phone issue we've had during the run, despite a strong and humorous warning at preshow. Seems there might be a solution for the future.
Well runs through this Sunday only. Doesn't seem right. I want to see it again.
Every night in the theatre is a unique. Tell us what happened at the performance you attended that made it special for you.
An EXCEPTIONAL show tonight and a wild/crazy night of theatre. The show tonight was a great one and the house was an extremely responsive and energetic crowd. Ms. Gleason and Ms. Kron had a great time tonight onstage and their performances really played nicely off of each other.
There was a patron sleeping in the back of the balcony tonight whose cell phone rang several times (and did not wake him up) leading into the “Princess of Five”.
Ms. Kron (after the fourth round of rings) said to the audience…and I quote, “They [the ensemble] are gonna be right back. While I’m waiting would be a good time to answer your cell phone. Please answer your cell phone. If you don’t answer your cell phone someone will come into the theatre and have you… killed.”
The audience clapped; it seems they would have liked the patron with the cell phone killed as well. House management was called and the patron was woken up, spoken to, and his cell phone was turned off. Capital punishment averted. Not to be outdone, the patron then began snoring rather loudly about ten minutes later.
Curtain call was taken to thunderous applause and the entire upper section was on their feet as well as many in the orchestra. In general, it was a fantastic show tonight despite the strange occurrences in the house.
This is not the first cell phone issue we've had during the run, despite a strong and humorous warning at preshow. Seems there might be a solution for the future.
Well runs through this Sunday only. Doesn't seem right. I want to see it again.
Every night in the theatre is a unique. Tell us what happened at the performance you attended that made it special for you.
Celebrity Sightings
South End diners and playgoers last night were treated to a bit of fun as Huntington celebs Nicholas Martin, Nathan Lane, Victor Garber, Noah Haidle and friends enjoyed a fine meal at Hammersley's Bistro before attending the preview performance of Persephone.
Victor is in town visiting Nicky to do some early script work today for our upcoming production of Present Laughter.
(Photo by Eric Antoniou).
Noah is, of course, here for previews and has graciously been providing us with a little pre-show entertainment in the form of a curtain speech.
Nathan came for the roast chicken. Just guessing.
Victor is in town visiting Nicky to do some early script work today for our upcoming production of Present Laughter.
(Photo by Eric Antoniou).
Noah is, of course, here for previews and has graciously been providing us with a little pre-show entertainment in the form of a curtain speech.
Nathan came for the roast chicken. Just guessing.
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