The Secret History of A RAISIN IN THE SUN

From Sam Lasman, Literary Professional Intern:

A Raisin in the Sun achieved instant success when it premiered in 1959. However, the titanic reputation of Lorraine Hansberry's masterpiece has obscured the legacy of black playwrights who preceded her. While she was the first black woman to have a play produced on Broadway, and the first black writer honored with the New York Drama Critics Circle Award, several playwrights of the Harlem Renaissance had succeeded in bringing their work to Broadway in previous decades. Of course, African-American plays had been appearing in other venues for much longer, beginning possibly with James Brown's The Drama of King Shotaway, which appeared in 1823 at the African Theater on Mercer Street. Exactly a century later, Willis Richardson's one act The Chip Woman's Fortune opened on Broadway, nearly four decades before Raisin. Garland Anderson's Appearances went up in 1925, and Wallace Thurman's Harlem, which scandalized audiences with its depiction of the "slow drag" (a dance Walter Lee and Ruth perform in Raisin), opened in 1929. And while he is most famous for his poetry, Hansberry's friend and mentor Langston Hughes was an accomplished playwright who had several pieces, including the 1935 Mulatto: A Play of the Deep South, produced on Broadway. All in all, more than twenty black dramatists preceded Hansberry on Broadway stages – though the work of black women, including Angelina Weld Grimke and Eulalie Spence, was confined to smaller stages. While it is undoubtedly a testament to Hansberry's talent and vision that she eclipsed her predecessors, her success owed much to their endeavors.

The Huntington's current production of A Raisin In The Sun, directed by Liesl Tommy, runs through April 7, 2013 at the Avenue of the Arts / BU Theatre. Learn more at huntingtontheatre.org/araisininthesun

Reverse the Curse: A RAISIN IN THE SUN

 This past Wednesday night marked a miracle: Liesl Tommy finally opened a Huntington show on schedule. Liesl’s previous two Huntington Openings were canceled –from a huge snowstorm January 5, 2011 (Ruined) and because of the Back Bay Blackout in March 13-14, 2012 (Ma Rainey’s Black Bottom). But the third time is a charm, and A Raisin In The Sun went off without a hitch!

To be fair, rehearsals for this production were delayed by a half-day due to the Blizzard of 2013 (an actor got stuck across the country), and then last Friday’s snowstorm arrived on the run’s first preview. It’s been a nerve-wracking month to say the least, but we made it through, and if the reviews pouring in are any indication, Liesl has done some tremendous work on this production. 

Which of course is no surprise to us. We love Liesl and her work, which is why we keep having her back in spite of the bad luck that seems to follow her to Boston.

Celebrating with Liesl tonight: the cast, Huntington staff, Trustees, and Overseers, Jon Abbott (WGBH), Karen Holmes Ward (WCVB), Rep. Gloria Fox, Attorney Wendell Taylor (Huntington Overseer), and Cambridge resident and Director of the Lorraine Hansberry Trust Joi Gresham. Gresham was Hansberry’s widower’s step-daughter, grew up in the playwright’s house after her death, and was greatly influenced by her work. Here's a picture of Liesl and Joi before the show on Wednesday night:

A Raisin In The Sun (which, incidentally, celebrated the 54^th anniversary of its Broadway debut on Monday) runs through Sunday, April 7 at the Avenue of the Arts / BU Theatre. The Boston Globe calls it, "A shattering production [that] reminds us how fully and richly Raisin continues to reverberate....All the passion Hansberry poured into her play comes surging through in the performances by Tommy's ensemble." Tickets are still on sale, but they're going fast, so don't miss out!

A RAISIN IN THE SUN First Rehearsal: the Meet & Greet

Tuesday marked the first day of rehearsal for A Raisin In The Sun by Lorraine Hansberry here at the Huntington. It’s only the second show that we’ve produced more than once in the last 31 years (the other being Candide in 1989 and again in 2011). Back in 1995, Kenny Leon took the helm as director, and this time, we’ve invited Liesl Tommy back to tell the story anew. She also directed 2011’s Ruined  and last year’s production of Ma Rainey’s Black Bottom, both of which were tremendous hits, so we’re excited to have her back in the building. I think I speak for the entire staff here when I say that we look forward to having her around, because she not only delivers these breathtaking theatrical feats, but also because she’s always so full of warmth and enthusiasm, making her an absolute pleasure to work with.

Check out our photo album from the Meet & Greet luncheon.

Fun fact: Liesl Tommy was born in South Africa, and moved to Newton when she was young. She saw Joe Turner’s Come and Gone at the Huntington when she was still in high school, and she cites the experience as a defining moment in her development as a theatre artist. In fact, growing up in the Boston area has inspired this production of Raisin as well. "My father was an urban planner who worked on low-income housing in Boston, and we often talked about how destructive to family life tiny apartments can be," she told us. "With Raisin, I'm looking to explore just how desperate poverty can make you when you don't have the space to be yourself."

And another fun fact: Liesl actually auditioned for our 1995 production of A Raisin In The Sun, and although she didn't get the part, she felt so accomplished just by being asked to come in for an audition at the Huntington that the experience cemented her decision to apply to grad school and dedicate her life to being a theatre artist.

You can hear her tell the story in her own words in this exclusive behind-the-scenes video from the first rehearsal, which also features opening remarks from Artistic Director Peter DuBois and Managing Director Michael Maso:

A Raisin in the Sun plays March 8 - April 7, 2013 at the Avenue of the Arts / BU Theatre.

"Two Plays, One House" — A Special One-Night-Only Event

Huntington Theatre Company, SpeakEasy Stage Company, and the City of Boston’s Office of Arts, Tourism, and Special Events will collaborate to present Two Plays: One House: A Raisin in the Sun & Clybourne Park at Dorchester’s Strand Theatre on Wednesday, February 20 at 7pm. Hosted by Karen Holmes Ward, WCVB-TV’s Director of Public Affairs and Community Services and host and executive producer of “CityLine,” the evening will feature performances of scenes from each of the two plays and a panel conversation moderated by Ward with directors Liesl Tommy (A Raisin in the Sun) and M. Bevin O’Gara (Clybourne Park) about the issues of racism and gentrification raised in the plays. The evening is free and open to the public, but RSVPs are encouraged at huntingtontheatre.org/StrandRSVP.

Set in Chicago in the 1950s, the landmark A Raisin in the Sun depicts an African-American family whose struggle to achieve the American Dream leads them to purchase a house in a predominantly white neighborhood. Winner of the 2011 Pulitzer Prize,Clybourne Park picks up where Raisin leaves off. In the first act, nervous community leaders try to stop the sale of the home to the family from Raisin. The second act fast-forwards the action 50 years as a white couple that plans to demolish and rebuild the house faces parallel opposition from the now African-American neighborhood association.

“A Raisin in the Sun’s incredible legacy shines on Clybourne Park,” says Boston Mayor, the Honorable Thomas M. Menino. “These powerful plays explore themes such as racism, neighborhood identity, and the search for home in complex ways that resonate in our community today. I commend the Huntington Theatre Company and SpeakEasy Stage Company on this partnership to inspire meaningful discourse, and I look forward to welcoming them to the beautiful Strand Theatre for what promises to be a terrific evening.” 

Two Plays: One House is the continuation of the Huntington’s longstanding tradition of bringing its work beyond its homes on the Avenue of the Arts and in the South End to Boston’s neighborhoods and communities, including past events at the Strand Theatre (Breath, Boom; 2003) Roxbury Community College (Gem of the Ocean, 2004; Radio Golf, 2006; Fences, 2009), and Hibernian Hall (Ma Rainey’s Black Bottom, 2012). The event also continues SpeakEasy Stage’s series of public forums to further discourse on important cultural matters. Past SpeakEasy events include panel discussions on the challenges of readjusting to society after imprisonment in conjunction with its production of The Motherf**cker with the Hat and the effects of mental illness on both patients and caregivers during Next to Normal.

SpeakEasy Stage Company’s production of Clybourne Park by Bruce Norris plays March 1 – 30 at the Calderwood Pavilion at the BCA. Tickets and more information are available at speakeasystage.com/clybournepark.

The Huntington Theatre Company’s production of A Raisin in the Sun by Lorraine Hansberry plays March 8 – April 7 at the Avenue of the Arts / BU Theatre. Tickets and more information at huntingtontheatre.org/raisin.

Find more information on the event at huntingtontheatre.org/Strand or speakeasystage.com/Strand.

ABOUT THE SPEAKERS

M. Bevin O’Gara (Clybourne Park director) has previously directed For You for Me For You and Love Person (Company One), Matt and Ben (Central Square Theater), The Pain and the Itch (Company One, IRNE Award nomination for Best Director and Best Ensemble), Two Wives In India and Gary(Boston Playwrights Theatre, Elliot Norton Award nomination for Best Production), 2.5 Minute Ride(Downstage @ New Rep, IRNE Award nomination for Best Solo Performance), Othello and The Crucible (New Rep On Tour), Melancholy Play (Holland Productions), Bat Boy: The Musical (Metro Stage), Tattoo Girl, Painting You, and Artifacts (Williamstown Theatre Festival Workshop), and ANTI-KISS (3 Monkey’s Theatrical Productions). Other companies include New Repertory Theatre, the Gaiety Theatre of Dublin, and the Actor’s Center of Australia. Ms. O’Gara is associate producer at the Huntington Theatre Company. She has a BFA from Boston University in Theatre Studies.

Liesl Tommy (A Raisin in the Sun director) previously directed Ma Rainey’s Black Bottom for the Huntington Theatre Company and Ruined for the Huntington/Berkeley Repertory Theatre/La Jolla Playhouse. Other credits include Peggy Pickett Sees the Face of God by Roland Schimmelpfennig (world premiere, Luminato Festival/Volcano Theatre); Ruined by Lynn Nottage (Oregon Shakespeare Festival); Eclipsed by Danai Gurira (world premiere, Yale Repertory Theatre, Woolly Mammoth Theatre Company, McCarter Theatre); and Angela’s Mixtape by Eisa Davis (world premiere, Synchronicity Performance Group, New Georges). She was awarded the NEA/TCG Directors Grant and the New York Theatre Workshop Casting/Directing Fellowship and is a New York Theatre Workshop Usual Suspect. She has also been a guest director and teacher at The Juilliard School, Trinity Rep/Brown University’s MFA Directing and Acting Program, and NYU’s Tisch School of the Arts. She is a graduate of Newton North High School and a native of Cape Town, South Africa.

Karen Holmes Ward (Host) is the Director of Public Affairs and Community Services as well as host and executive producer of “CityLine,” WCVB-TV’s weekly magazine program which addresses the problems, concerns, and accomplishments of people of color living in Boston and its suburbs. “CityLine" was recognized as the recipient of the Associated Press Massachusetts/Rhode Island ‘Best’ Public Affairs program in 2008. Holmes Ward also oversees WCVB’s public service and community outreach efforts including the station’s work with Habitat for Humanity and “Extreme Makeover: My Hometown” and WCVB’s first-of-its-kind web-based initiative, Commonwealth 5, nominated for a National Emmy Award for the 2004/2005. A graduate of Boston University’s School of Public Communications (now COM), Holmes Ward has received numerous awards for her work in the community including the Boston Jaycees Ten Outstanding Young Leaders Award; National Association of Black Journalists Region I Journalist of the Year; Big Sister of Greater Boston Achievement Award; Urban League of Eastern Massachusetts President’s Award; Women of Courage and Conviction Award from the Greater Boston Section National Council of Negro Women, Inc. Karen is a Board member of the Roxbury Comprehensive Community Health Center and a past Board President.

ABOUT THE HUNTINGTON THEATRE COMPANY

Since its founding in 1982, the Huntington Theatre Company has developed into Boston’s leading theatre company. Bringing together superb local and national talent, the Huntington produces a mix of groundbreaking new works and classics made current. Led by Artistic Director Peter DuBois and Managing Director Michael Maso, the Huntington creates award-winning productions, runs nationally renowned programs in education and new play development, and serves the local theatre community through its operation of the Calderwood Pavilion at the BCA. The Huntington is in residence at Boston University. For more information, visit huntingtontheatre.org.

ABOUT THE MAYOR’S OFFICE OF ARTS, TOURISM & SPECIAL EVENTS

The Mayor's Office of Arts, Tourism & Special Events fosters the growth of the cultural community; promotes public participation in the arts and public celebrations; and advances cultural tourism in Boston. Learn more at cityofboston.gov/ARTS.

ABOUT SPEAKEASY STAGE COMPANY

Founded in 1992 by Producing Artistic Director Paul Daigneault, SpeakEasy Stage Company is Boston’s premier theater staging Boston premieres. Its mission is to connect, inspire, and challenge its audiences with the most socially-relevant theatrical premieres featuring the most talented artists in Boston. SpeakEasy’s mainstage is the forum for the Boston premieres of new musicals and plays, showcasing works never before produced in the area. In addition, the company contributes a unique artistic perspective to the Boston theatre community and creates a nurturing environment for artists, audiences, and arts administrators. Through its programs, SpeakEasy makes Boston's South End neighborhood an artistic and cultural destination, keeps vibrant, high-quality theatre thriving in Greater Boston, and provides jobs for locally-based actors, directors, designers, technicians, and administrators.speakeasystage.org.